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Charise will be recording audiobooks with Tantor Media.

“Vinegar Tom” at The Atlantic Stage 2

Charise is dialect coaching “Vinegar Tom” at The Atlantic, running through the month of July.


“The Affair” Season 2

Charise is back coaching Dominic West and Ruth Wilson in
season 2 of “The Affair”


“Yes is for a Very Young Man” at The Connelly Theater

Charise will be acting in Gertrude Stein’s “Yes is for a Very Young Man” at The Connelly Theater at the end of May. Produced by Target Margin Theater and directed by Jessica Brater, this play ensnares the “silence stillness and quick movement” of melodrama in a Steinian landscape of language. Tickets can be purchased here.
The Connelly Theater
220 East 4th Street
(closest subway: F to 2nd Avenue / alternatives: J/M/Z to Essex or L to 1st Avenue)
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“Grounded” at The Public

Charise is voice/dialect coaching Anne Hathaway at The Public in one-woman show “Grounded,” written by George Brant and directed by Julie Taymor.
Runs April 7 – May 17. Purchase tickets.
Academy Award winner Anne Hathaway (InterstellarLes MisérablesTwelfth Night) returns to The Public in George Brant’s (Elephant’s Graveyard, The Mourners’ Bench), spellbinding, ripped-from-the-headlines play GROUNDED. An ace fighter pilot reassigned to a remote-controlled drone faces twelve-hour shifts hunting targets from her Air Force trailer followed by twelve in the suburbs with her family in this “gripping” (New York Times) new play about the complicated consequences of waging war without leaving home. Named one of the Best Plays of the year by both London’s The Evening Standard and The Guardian, and winner of the Smith Prize for Political Theater, GROUNDED comes to The Public’s intimate Anspacher Theater under the masterful direction of two-time Tony Award winner Julie Taymor (A Midsummer Night’s DreamThe Lion King, Frida, Across the Universe)

Golden Globe wins for “The Affair”

Ruth Wilson

Ruth Wilson won Best Actress in a TV Series Drama at the Golden Globes for her work on “The Affair,” and the show won for best TV Drama. Charise was the dialect coach for both Ruth and her costar Dominic West.

“The Affair” Golden Globe Nomination

Dominic West and Ruth Wilson received Golden Globe nominations for their work on Showtime’s “The Affair”. Charise coached them in episodes 5 through 8. The show was also nominated for Best Drama.

Acting Chekhov at Studio 4

Charise will join the faculty at Studio 4 this Spring, where she will teach Acting Chekhov.

“LYING” at Blessed Unrest

Lying Postcard (1)Charise will be playing five roles in Blessed Unrest’s original adaptation of Lauren Slater’s electrifying memoir, which questions the concept of truth within the human condition. Blessed Unrest is committed to producing dynamic, disciplined, and exuberant new works for the stage in New York City and abroad, building original pieces and reconstructing established texts with its diverse ensemble of artists.

LYING adapted by Matt Opatrny from Lauren Slater’s original memoir, directed by award-winning Jessica Burr
Blessed Unrest’s Interart Theatre
500 West 52nd Street (between 10th and 11th)
Oct.9 – Nov.3
Tickets at or by calling 646.238.0829
Price: $18 or $14 for groups of 4 or more in advance




“The Affair” on Showtime

1031103_1_0_prm-affair3_1024x640[1]Charise is dialect coaching Dominic West and Ruth Wilson in “The Affair” on Showtime (episodes 5, 6, 7 and 8). A provocative new drama that explores the emotional effects of and extramarital relationship using the distinct memory biases of both the mail and female perspectives to tell the story, “The Affair” premieres in October 2014.

“Nothin’s Gonna Change My World” at Dixon Place

Charise will be playing Darleen in Mia Rovegno’s new play, “Nothin’s Gonna Change my World.”

JamonToastwebthumbnailsmall-184x275Nothin’s Gonna Change My World by Mia Rovegno directed by Meghan Finn.
New Georges’ Jam on Toast Festival.
May 27th at 7:00pm.
Dixon Place at 161A Chrystie Place (between Rivington & Delancy).
Tickets can be purchased at Brown Paper Tickets.

Darleen, an overly optimistic romantic, finds herself on a problematic blind date with a man whose greatest memories were at Burning Man.Screen-Shot-2014-04-28-at-2.13

“Versailles” at Theater for the New City

Charise will be playing the lead role of Sharon in Richard Ploetz’ new play “Versailles.”


Versailles by Richard Ploetz
February – March 2014
Theater for the New City, 155 1st ave.
February 20 – March 9
Thursdays through Saturdays at 8:00pm, Sundays at 3:00pm.
Tickets can be purchased by clicking on the following link:

SHARON, a 28 year old single mother and stripper, is waking up to the hard reality of her life. Her youth gone, her beauty and power going, she is caught in a web of dead end relationships and a nowhere job. As her house is slowly sinking into the swamp her young daughter appears to have gone missing. A mysterious figure, MR MASON, a kind of investigator/conscience, surfaces. Is he the resolution to Sharon’s problems?

The play, in 28 scenes, was inspired by the Casey Anthony trial in Florida.

View press release here.Screen Shot 2014-01-29 at 3.01.33 PM

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“The Importance of Being Ernest Hemingway” at Access Theater

Charise will be playing Lady Bracknell in The Importance of Being Ernest Hemingway at Access August 17 – September 1.

Text by Oscar Wilde and Ernest Hemingway
Adapted and directed by James Rutherford in collaboration with Elliot B. Quick

Literature’s most dazzling wit faces down its most red-blooded stoic in The Importance of Being Ernest Hemingway, a World Premiere by M-34. Set in 1926 Paris with rugged Hemingway men in the roles of Jack and Algy, this mash-up of texts from Oscar Wilde and Ernest Hemingway outs the gay romance in Wilde’s best-loved work and collides it with Hemingway’s impossible machismo, exposing both artists’ desperate search for an Ideal Masculinity. Directed and adapted by James Rutherford in collaboration with Elliot B. Quick, The Importance of Being Ernest Hemingway is a trivial comedy about pain, lies, violence and vengeance.

M-34 Theater Company
Click here for tickets or call 301.706.7097
Performances: Saturday August 17: 8pm; Sunday August 18: 8pm; Tuesday August 20: 8pm; Thursday August 22: 8pm; Friday August 23: 8pm; Saturday August 24: 8pm; Sunday August 25: 8pm; Thursday August 29: 8pm; Friday August 30: 8pm; Saturday August 31: 8pm; Sunday September 1: 8pm

All details here:!current-production/c1brn

“Notebook of Trigorin” at The Flea

Charise Greene will be playing Arkadina in the New York premiere of Tennessee Williams’ “The Notebook of Trigorin” at The Flea May 3 – May 18.

Trigorin-Card2The Attic Theater Company Presents
By Tennessee Williams
Adapted From Anton Chekhov’s THE SEAGULL
At the Flea Theater, 41 White Street NY NY
Directed by Laura Braza

Friday, May 3rd – Saturday, May 18th, 2013
Tues-Sat 7pm, Sat 2pm, Sun 3pm
Tickets: 212-352-3101,

A life-long admirer of Russian playwright Anton Chekhov, Tennessee Williams often thought of directing a production of Chekhov’s THE SEAGULL. His chance to interpret the play finally was realized near the end of his life with THE NOTEBOOK OF TRIGORIN. Williams’ genius, combined with the powerful Russian classic, creates a daring new concept for today’s American theatre. This fresh look at the classic gets to the heart of the play: what is it to be an artist and in love?

Directing Ovid’s “Metamorphoses” at NYU’s Stella Adler Studio

images (3)Charise is directing a cast of 15 in Ovid’s “Metamorphoses,” Book VI (Tereus, Procne, and Philomela). Through athletic physicality, music, and language, the tragic story that inspired Shakespeare’s “Titus Andronicus” is told. Translation by Charles Martin. Runs February 27, 28 and 29. Reserve tickets by calling (212) 689-6110.

“Inadmissible,” at NYC’s Canal Playhouse

Charise is playing Joanna in the new three-person play by screenwriter D.B. Gilles, “Inadmissible,” at downtown theater Canal Park Playhouse. Joanna is an adjunct lecturer and playwright who offers a fresh young perspective to a corrupt graduate acceptance committee of three. The process, however, changes her deeply, and she in turn irreversibly alters the lives of her mentors in this dynamic play about power.

“Canary,” at New York Theater Workshop

Charise is playing Jo in a reading of Molly Rice’s “Canary” at New York Theater Workshop on May 19 and 20. Jo is described as pretty and does her best to hide it with her crazy “Avant-Garde” getups, made from the artsy detritus of the past three decades, and weird ballpoint tattoos. She has assigned herself the quest of making something New in the world. She is prickly and ridiculous and tough and alone. She has a thick Kentucky accent.

Teaching at NYU & Stella Adler Studio of Acting

In the fall, Charise will join the faculty at NYU. She will be the vocal and dialect coach for all productions at NYU’s Stella Adler Studio, coaching both the NYU students and those attending the conservatory.

Teaching at Barnard & Columbia

This coming Fall at Barnard & Columbia, Charise will be teaching three classes: Advanced Acting, an Audition Course for graduating seniors and Introduction to Acting. She will also be the Senior Acting Thesis Advisor. This past Spring she taught Acting Chekhov.


Charise is writing a short play for Billy & Co., which will be produced in the LITERARY P(ARTS) series the first weekend in June. Billy & Co. is a Williamsburg-based theater company that explores new, creative processes that connect artists with other artists who wouldn’t conventionally cross-collaborate. For tickets, go to Billy & Co.


Charise will play the lead in a staged reading ‘Versailles’ Richard Ploetz in Emerging Artists EATfest at Tada Theatre


Directed by: Ian Streicher
Performance Date: March 20 at 1:00pm
Click here for Tickets
Tada Theatre is located at 15 W.28th Street on the 2nd Floor

Darleen and Trent Go to Raj Palace

Charise will be playing the title character in ‘Darleen and Trent Go to Raj Palace,’ at The Living Theater, produced by Women Center Stage.


Directed by: Mia Rovegno
Performance Dates: Saturday, March 5th at 3:00pm & Sunday, March 6th at 7:00pm
Click here for Tickets
The Living Theater is located at 21 Clinton Street (just below Houston Street at Ave B)

Tunnels of Love

Charise is currently shooting the film ‘Tunnels of Love‘, directed by Brett Harding, a feature comedy shot entirely in the NYC subway trains and station platforms. The plot centers on couples who get off by making love in public, interspersed with various other character offshoots, examining their relationships to each other and to the transit system.


Charise is now the Resident Voice-Over artist for Turnswing (, providing all commercial voice-over content for the company (visit Media page for Voice-Over example). Charise is also back at Barnard and Columbia as an Adjunct Lecturer teaching Acting to Undergraduates.

In Quietness


Wednesday, September 29, 8:30PM – $10 suggested donation
Octoberfest 2010 at Ensemble Studio Theatre


Charise stars in a Staged Reading of Anna Moench’s latest play:


A former CEO follows her born-again husband to a Southern Baptist seminary. There she enrolls as a student at the Homemaking House, the nation’s premier training ground for future homemakers and a place where marital bliss means never having to say thank you for cleaning the toilet.


Reserve your seats here!

New CD

I have some new music up of me singing on the new CD of “Barf” the musical on the media page.

It Was a Setup

Wed – Sat, August 4 – 7 and 11 – 14, 2010

8:00 pm

@ The Home Of

Welcome to the living room of C and T, a married couple whose relationship is disintegrating. Drama and scheming lead to the entrance of a dancer, Juliet, into their lives. Directed by Kirk Bromley, Leah Schrager, and the performers, this is the first production of Inverse Theater’s 10th anniversary season. Music is by Ivan Khilko, and costumes by Anna Mains. It Was a Setup features Timothy Fannon, Charise Greene, and Lucy Stack. It’s approximately 75 mins long.

Here’s a small chunk of the script:

It starts with a feeling that something isn’t
childhood, which continues to this day,
a sparse sexual settlement of sorts unseen
since it became so hard to say
“Write, rote, rotten.”
There’s nothing wrong with making good money;
it’s just not possible.
The weasel market
won’t allow a free association.
I don’t need
no fucking gym. I am a fucking gym.